Sunday, April 5, 2009

Sebadoh - Bubble and Scrape

After countless attempts to update this blog with my presence (only to be hindered by a lack of inspiration, apathy, and most recently sickness) here I am in what will hopefully be the first of many posts. First up is the 1993 album Bubble and Scrape by lo-fi indie rockers Sebadoh.

For indie fans living under a rock for the past two decades, Sebadoh is the main recording outlet for Lou Barlow of Dinosaur Jr and Deep Wound fame. Barlow who was often overshadowed by J Mascis immense songwriting talents formed Sebadoh with percussionist/songwriter Eric Gaffney in 1987 as a way to further showcase his own. The duo released two albums 1987's Weed Forestin' (although essentially a Barlow solo release) and 1988's The Freed Man and were soon joined by multi-instrumentalist Jason Lowenstein. This is the lineup the would go on to record 1991's Sebadoh III and th Smash Your Head on the Punk Rock compilation. Shortly after the release of The Freed Man Barlow was kicked out of Dinosaur Jr. causing much tension and bitterness that would shine through on later Sebadoh recordings.

After a couple EP releases the band released their debut Sub Pop full length 1993's Bubble and Scrape. The album is an overall eclectic mix of the three members songwriting talents with Barlow contributing seven tracks, Gaffney with six, and Lowenstein with four. With it's release it sold over 10,000 copies in it's first week solidifying the band as alternative rock mainstays throughout the 90's.

Barlow's songs are easily the most accessible on this recording often heralding back to the indie pop, love and break up songs of his previous band. While Lowenstein's tracks also hold onto a certain pop awareness although shorter and less traditionally structured. Gaffney's tend to be the real oddballs of this collection often delving into more experimental territory. Weird, disjointed, and seemingly all over the place, his songs are a strange mix of 60's Psychedelic and Minutemen punk rock sensibility. This record would prove to be his last with the band.

Despite the noticeable changes in style the songs manage to meld into a collective whole to form one surprisingly cohesive and solid album. It is a perfect mix of the lo-fi experimentation of earlier records and the more polished pop friendly work that would follow.

Recommended Tracks:
Soul and Fire, Sacred Attention, Homemade (Barlow)
Bouquet for a Siren (Gaffney)
Happily Divided, Sister (Lowenstein)

Bubble and Scrape
- if you enjoy the album please support the band and your favorite independent record store by purchasing a copy.

Wednesday, March 25, 2009

Spiral Architect - A Sceptic's Universe




Spiral Architect is an extremely technical and progressive metal band. It is also one of those “super groups” in the metal world. Just look at the line up and the members past and present bands:

Øyvind Hægeland - Vocals, Keyboards (Arcturus (Nor), Scariot, Manitou (Nor), Lunaris)
Steinar Gundersen - Lead Guitar (Satyricon, Lunaris, King's Quest)
Andreas Jonsson - Guitar (Lunaris)
Lars Koppang Norberg - Bass, Programming (Anesthesia (Nor), Ihsahn)
Asgeir Mickelson - Drums (Borknagar, Enslavement of Beauty, Ihsahn, Lunaris, Scariot, Thornbound, Vintersorg)

A Sceptic's Universe is the only studio release by Spiral Architect, which isn’t too surprising since this is mainly a side project and the band members all have their other bands to focus on.

The album is full of constant changing time signatures alone are enough to boggle some. The technicality of the playing is amazing, and it doesn’t feel soulless. The music is top notch and some of the more interesting technical stuff I’ve heard in the past. Singer Øyvind Hægeland has an amazing ranger and the vocals are actually done clean, no cookie monsters on this album.

So a few metal heads that I have suggested this album to in the past to a few enjoy the music but can’t seem to get over the vocals. The songs are each a wonderful master piece with amazing technical prowess shown by all the members of the band. The lyrics are also a thing of odd beauty, poetic even on their own. The lyrics tend to be philosophical in nature, a mixture of metaphors and fragments of ideas. An example would be the lyrics for the song “Cloud Constructor”:

Life as it seemed to the circling man
As he gazed into discarded land
Was a ride on a carousel of faith
Then he flew away

He traveled far through his worn out mind
Through sorrow and pain, what had he gained?
Still his dreams they could never take away
So he flew into the sun again

Emptiness struck as he realized
There's no answer to "who am I? what am I?"
He then saw why men must construct for themselves
A cloud of Unknowing


Do yourself a favor and check out this album, listen to the whole thing in one sitting. If after that you don’t like it, delete it. If you do find yourself liking the album, purchase it.

-Christian

DL: http://www.mediafire.com/download.php?hibmm11nidn

Friday, March 20, 2009

Drive Like Jehu - Yank Crime

(I just want to thank mike and dan for letting me take part on this blog before I start. Hopefully this will turn out better than my last blogging endeavor. haha.)

Its funny how you can hear about a band over and over again, and never check them out. I have no real reason why it took me so long to listen to Drive Like Jehu. Their name would constantly pop up in my “music quests.” They were compared to lots and lots of bands that I like. And for some reason, it was only last year that I heard them. YES, LET THE CRUCIFIXION COME! Haha.

The band only released two albums. “Yank Crime” was their second. I think a lot of people, myself included, view this as the better album. Which is strange because it was a major label release. And as a lot of people know, often times when a indie band gets signed to a major, they change. And usually not for the better. Somehow, this album is even more aggressive than their first album. Taking all things into consideration, this is quite a feat. Their intense energy is constant through the entire album. Whether it be in the slower song “Luau” or the album’s opening track “Here Come The Rome Plows”. Rick Froberg & John Reis’s guitar interplay set a new standard for the post hardcore genre. Its right up there with Guy and Ian of Fugazi if you ask me. “Do You Compute?” might be one of the best examples of this on the Yank Crime album. Its not hard to see why Drive Like Jehu are/were cited at a big influence on the then emerging “emo” scene. There are a lot of elements from the music on this album that reappear in later “emo” releases, as well as post hardcore albums. Its great that such a short lived band could have such wide spread influence. Its just a bummer that they were so short lived in the first place.


Buy it if you like it

-matthew saint laurent

Tuesday, March 3, 2009

Elektric Music - Esperanto


Elektric Music is the pseudonym of Karl Bartos, a former member of the almighty Kraftwerk. Esperanto was released in 1993, several years after he left the group.

Several of the songs were co-written by Andy McClusky of the synth pop group Orchestral Maneouvers in the Dark (OMD). McClusky even provides lead vocals on the track Kissing the Machine.

This album is pretty cool in the sense that it draws influence from places and artists which had been influenced by Bartos' previous work a few decades earlier. It still has a real Kraftwerk feel throughout the album but also contains elements of rave music, industrial and synthpop groups such has Human League and, of course, OMD. The track TV shows a striking resemblance to the only Kraftwerk song Bartos takes full credit for writing (you'll find out what track that is later on).

Karl Bartos has since then dropped the Elektric Music name and now records just as Karl Bartos. Some people argue that his solo material beats Kraftwerks later werks (see what I did there?).

http://www.mediafire.com/file/ycn2iamzojy/elektric music - esperanto.rar

Top 3 Tracks: Show Buisness, Crosstalk, Esperanto


PS. you can expect an 8 part Kraftwerk retrospective from me sometime in the near future. I bet you can hardly contain yourself.

Let it all hang out,
-mungmike

Sunday, March 1, 2009

First post / Meat Puppets "Mirage"


So, welcome to the first post of this run-of-the-mill music blog. It seems these things are a dime a dozen these days.

Anyways its going to stick to the basic formula of 4-5 other people and I posting every so often about records we enjoy and hope other people will check out.

For this first post I picked Meat Puppet's 1987 album Mirage. It's considered the groups most experimental album. It still has traces of alt-country as heard on their earlier album II, but also has a more psychedelia-esq sound as well as some new wave thrown into the mix. Out of the 6 albums I've heard from this band this is the one I always go back to. In my opinion this record would be a much better candidate for their Don't Look Back concert.

http://www.mediafire.com/file/tt2umhntzzz/[1987] mirage.rar



Top three tracks:
Quit It, I Am a Machine, Love Our Children Forever


Buy it

-mungmike


note: When I say this is the first post, its the first post for this blog. Dan uploaded all this posts from a previous blog that came before this one. Fuck me, right?

Insomnia Soundtrack

Due to issues that shall remain unmentioned I stopped writing for Listen To This Once and started this blog with a Kraftwerk obsessed human being named mungmike. Please excuse us while we work out the kinks and figure out what we want to do and who we want to contribute. We hope to have a viable option for the stimulation of your eyes and ears operating a.s.a.p. Thank you for checking us out.

-Daniel Marc Cafferty

Saturday, February 28, 2009

Oh, Canada (Part 4): North Of America


I decided to go right for the golden ring with this post. North Of America is probably my favorite of all the Canadian bands I planned on covering in this "ongoing" series. And since this could very well be my last post for awhile, I figured, go out with a bang. North Of America went from originally sounding like Pavement and Polvo had a love child, to getting heavier and more technical. Eventually getting to a point where they sounded fairly similar to singer/guitarist Michael Catano's other band, The Plan. They broke up in 2003. But have reunited numerous times. In 05 they got back together to do a Canadian tour with Ted Leo. And they just recently played a couple shows at the end of this past December which marked their 10th anniversary as a band. I fucking hate myself for missing those shows because now I'll probably have to wait for some other anniversary or special occasion to see them. They will always have a special place in my heart. Fans of blah, blah and blah should definitely listen to them.

-matthew st.

their stuff I have in chronological order...

Buy them from a independent record store if you like them
Or you can get them all from Rewika Records Online.

Sunday, February 22, 2009

Knot Feeder - Lights Flares

(I'm not going to go into the details of this band because I already wrote about them once on here. You can view that post here. )
This album is as great as I expected it would be. The instrumental math rock quartet has their shit down. Not that its really a surprise all things considered. Hard hitting and heavy and other times bringing it down and having a cello or glockenspiel join in.  One surprise for me listening through, was that a couple of songs have singing in them. It works for those songs and whats cool is, they don't feel out of place. I'm really excited on this band. And this is only their first album. I hope they continue to put out good music. 

-matthew st. 

p.s. Look forward in the near future to a interview with Mike Banfield from Knot Feeder once I can get my shit together enough so I wont seem like a giddy school girl talking to him. haha.

I highly recommend you buying yourself a copy 
You can also listen to the track "You Are My First Choice (To Be Thrown Out The Window)" from the album on Knot Feeder's Myspace Page

Saturday, February 21, 2009

Built To Spill - Keep It Like A Secret

I don't know if anyone else remembers, but HBO used to have a weekly show called "reverb". It showcased live music from alot of bands that were around at the time. One of my favorite episodes, that I can remember, was Pavement & Built To Spill (another great one was Björk Sigur Rós). It successfully got me into two of my favorite bands. I guess this album has always had a special place in my heart because it was the first I heard by them. The reverb episode featured mostly songs from this album if I remember correctly. Overall, its a great indie rock album by one of the great indie bands. For fans of good 90's indie music. And though I HATE to say this, some people have made comparisons between them and Modest Mouse. So I guess if you like Modest Mouse (their old stuff preferably) check it out? But I have to say...
Built to Spill > Modest Mouse

-matthew st.

Buy it from a independent record store if you like it

Friday, February 20, 2009

Sed Non Satiata

I wish that so many of my favorite bands weren't from places far away. Toulouse, France for instance. That's where Sed Non Satiata is from. The band is a screamo band. (Or I guess the kids are calling real screamo skramz now. wtf youths? Get the fuck out of here with that shit.) They play passionate heavy music. Often, the songs have an epic feeling to them. Post rock-esc build ups. Its so weird to hear a part in a song and think "This is so fucking beautiful, and so fucking heavy at the same time." But this band nails it. If you like any real screamo or post hardcore, definitely listen to this band.

-matthew st. 

I uploaded there Full Length, Two Splits and their Demo
I believe its all they have released as of yet
Listen to the song "Les Hommes Sans Visage" on this fan myspace page if you want to hear what they sound like before downloading all their stuff.

Wednesday, February 18, 2009

Slint - Spiderland

preface: Touch & Go Records is one of the most important labels in underground history. They are right up there with Dischord. I had quite the scare today when I read that they were pretty much going to cease to exist as a record label. I literally shouted “NO!” when I read it. That ended up not being true (turns out that they are going to be cutting their distribution of other labels records, which is still a big deal)  but it just made me realize how important the label was to me. So today I decided to post one of my favorite records the label has put out. 

I'm not going to go too much into this album. Slint were one of the first "math rock" bands, along with Chavez and Polvo. The genre has changed alot since then. Initially it was more related to post rock, which you can hear on this album. Angular quiet/loud guitar parts. Speaking/screaming lyrics. Changing/shifting time signatures. Great album.

-matthew st. 

Buy it from a independent record store if you like it
Or better yet, get it directly from Touch & Go's Online Store
Please support the Touch & Go Record Label

Tuesday, February 17, 2009

Adebisi Shank

High energy dancy mathy type instrumental music from Ireland. Often some thing happens in their songs that reminds me of the 8bit glory days of yore. For me, their songs are like that old slogan for Lay’s potato chips. Substitute "eat" with "listen" mind you.  I really cant think of a band that they sound like. But I will say that my description of what they sound like is pretty accurate, so if that’s intriguing to you, have a field day. 

-matthew st.

Buy them from a independent record store if you like them
Better yet, head over to Adebisi Shank's Myspace Page and buy from them directly.

Monday, February 16, 2009

Red House Painters - First Self Titled LP

Red House Painters tend to be a sad fucking band. I said it. Mark Kozelek must have had some super duper awful stuff happen to him. I really hope that description doesn’t turn you off. Cause I really love this band. This is my favorite Red House Painters album. Start to finish its awesome. Great guitar work, lyrics, just the overall feeling. Almost shoegaze-y at points. If you’ve ever heard of the “genres” of  sadcore or slowcore and wondered “what the fuck is that?” I guess this would be sort of a defining album and band. For fans of 90’s alternative rock and shoegaze. There might also be some interest from people into singer/songwriters from the 70’s. Also, if you love sad music. Haha. 

-matthew st.

Buy it from a independent record store if you like it

Saturday, February 14, 2009

Dasha - Damned If We Do

I wasn’t too sure what I should write about today, being Valentines Day. But when I arrived home from work and looked in my mailbox, there starring back at me was the answer. 

I’ve loved this band from the first time I heard them. I had been waiting to hear this album as long as I knew it existed in some unfinished form. The female fronted Rochester quintet plays upbeat indie rock. Very pretty guitar work, powerful rhythm section, and heartfelt singing and lyrics. I could easily see this band on a label like Polyvinyl or Jade Tree. Their sound just sits so well with those bands. This album is great and I highly recommend you purchasing a copy for yourself A.S.A.P. 

On a personal note I would like to say that I wish Colleen Vasey was my Valentine. Listening to her sing today has made my day. Awww! She’ll never read this blog. Haha. Tomorrow I’ll post death metal to make up for that emo slip. Haha.

-matthew st.

Listen to a couple tracks from the record on Dasha's Myspace Page
You can buy the album from Whaleplane Records.

Friday, February 13, 2009

Uzeda - Different Section Wires

Italian. Way Awesome. End review. Haha. Just kidding. 
I first started listening to this band back in the early 00’s. I couldn’t find anyone locally who listened to them or had even heard of them. And believe me I asked the people you’d think to ask (ex. Grant J.). I just wanted someone to talk about how awesome I thought they were. The band falls somewhere in between the genres of math rock, noise rock, post hardcore, maybe even post punk. Hard hitting drums. A more noodlely/riffy Shellac guitar sound. Solid pounding basslines. All the while with lyrics/poetry being shouted over in a discordant way. Its not really a surprise that Albini has recorded the majority of this bands releases. This is probably my favorite of their albums. If you like Shellac or Touch & Go, you need to hear this.

-matthew st. 

Buy it from a independent record store if you like it
Or you can get it online from Touch & Go's Website
(disclaimer: it has been brought to my attention that Touch & Go has a history of killing uploads of their albums. try to get this album before they kill the link.  if you find the link dead, report it to me. like i said above, if you like the album, support the band and the label and buy it!)

Thursday, February 12, 2009

Castevet - I Know What A Lion Is EP

This is a band that is strange because I don't think they should work, but they do. Really well in fact. Chicago Indie rock in the vein of Cap'n Jazz, American Football, etc. BUT, with a singer that I've heard some people describe as a "beardo". What does that even mean? I have no clue. I should know. Should I know? Is this a new genre of music? haha. Honestly, and I don't want this to upset the band or people that like them, but the singer's singing sometimes reminds me of when Jimmy from Polar Bear Club screams. That's really all I have to relate it to with my limited musical knowledge. Just go from the bands they kind of sound like. If you like them, there's a good chance you will like Castevet. They've only been around for a few years. Expect, more great shit from them in the near future. They have a full length set to come out this summer. 

-matthew st.

If you like it, please support the band!

Wednesday, February 11, 2009

Hum - Downward Is Heavenward

My hot plate of the day today (haha) is one of my all time favorite albums by one of my all time favorite bands. Hum had a hit in the mid 90’s with the song “Stars” off of their 3rd album “You'd Prefer An Astronaut”. For a lot of people, I think that’s where it began and ended for them and their interest in the band sadly. Popular music is a cruel bitch mother. Its too bad for them. “Downward Is Heavenward” is a really great follow up. A lot of people, myself included, consider this Hum’s best album. Considering what it had to follow, its outrageous what they created and were able to accomplish. If you have any interest in 90’s alternative rock, you need to hear this album. Hum is one of the most underrated bands of the 90’s.

-matthew st. 

Buy it from a independent record store if you like it

Tuesday, February 10, 2009

BA-NA-NAs

BA-NA-NAs is a 3 piece instrumental math rock band from Somerville, Mass. I just heard this band recently. Which is surprising. Because Paul Joyce from Lynx plays bass in the band. And I've always tried to keep up to date on his projects. Anyhow, check them. Some of the stuff I've heard reminds me of the more melodic side of Lynx. For fans of instrumental mathy bands. 

-matthew st.

listen to songs @ BA-NA-NAs Myspace Page
this fellow has some live videos of them

Monday, February 9, 2009

Oh, Canada (Part 3): Rockets Red Glare

What a band! I don’t know why more people haven’t heard of them. 2/3 were in the popular Canadian math/emocore band Blake (who I will no doubt be writing about in this blog at some point). Rockets Red Glare played mathy post hardcore with elements of heavier post rock. Their rhythm section destroys my life. Dissonant/angular guitar parts with shouting over top. If I haven’t established it yet, this kind of music is sort of my thing. Haha. They’ve been compared to bands like Slint, Shellac and Mission Of Burma. But they’ve also been compared to Neurosis. So yes, they were quite the treat. I personally don’t think they sound like any of those bands, but I guess I always need a point of reference. Just listen and see what you think.

-matthew st.

All of this stuff is quite hard to find. 

Sunday, February 8, 2009

Tailings

Syracuse, NY's newest indie super group. The guitarist from Com Veo. The drummer of Ladies & Everyone, One Hundred Metronomes and Know Nothing. And the drummer of Sever The Hands(Awake) and Monolith, but playing bass and singing this time around. All of that pedigree awesomeness aside, Tailings play a style unlike any of those bands. Heavy rhythm section joined with pretty, often arpeggiated, guitar lines. Lyrics are shouted in a way and with a urgency that reminds me of Sinaloa. For fans of the Touch & Go/Chicago style of indie music. Hopefully these young turks keep on keepin' on. Syracuse needs more good bands that aren't afraid to not be hardcore or "punx".

-matthew st.